What Is Communication and How to Use It Effectively

Communication is the process of sending and receiving messages through verbal or nonverbal means, including speech, or oral communication; writing  and graphical representations (such as infographics, maps, and charts); and  signs,  signals, and behavior. More simply, communication is said to be the creation and exchange of meaning.   Media critic and theorist James Carey  defined communication as a symbolic process whereby reality is produced, maintained, repaired and transformed in his 1992 book Communication as Culture, positing that we define our reality via sharing our experience with others. All creatures on earth have developed means in which to convey their emotions and thoughts to one another. However, its the ability of humans to use words and language to transfer specific  meanings that sets them apart from the animal kingdom. Components of Communication To break it down, in any communication there is a sender and a receiver, a message, and interpretations of meaning on both ends. The receiver gives feedback to the sender of the message, both during the messages conveyance and afterward. Feedback signals can be verbal or nonverbal, such as nodding in agreement or looking away and sighing or other myriad gestures. Theres also the context of the message, the environment its given in, and potential for interference during its sending or receipt.   If the receiver can see the sender, he or she can obtain not only the messages contents but also nonverbal communication that the sender is giving off, from confidence to nervousness, professionalism to flippancy. If the receiver can hear the sender, he or she can also pick up cues from the senders tone of voice, such as emphasis and emotion.   Rhetorical Communication—The Written Form Another thing that sets humans apart from their animal cohabiters is our use of writing as a means of communication, which has been a part of the human experience for more than  5,000 years. In fact, the first essay — coincidentally about speaking effectively — is estimated to be from around the year 3,000 B.C., originating in Egypt, though it wasnt until much later that the general population was considered literate. Still, James C. McCroskey notes in An Introduction to Rhetorical Communication that texts like these are significant because they establish the historical fact that interest in rhetorical communication is nearly 5,000 years old. In fact, McCroskey posits that most ancient texts were written as instructions for communicating effectively, further emphasizing early civilizations value of furthering the practice. Through time this reliance has only grown, especially in the Internet age. Now, written or rhetorical communication is one of the favored and primary means of talking to one another — be it an instant message or a text, a Facebook post or a tweet. As Daniel Boorstin observed in Democracy and Its Discontents, the most important single change in human consciousness in the last century, and especially in the American consciousness, has been the multiplying of the means and forms of what we call communication. This is especially true in modern times with the advent of texting, e-mail, and social media as forms of communicating with others around the world. With more means of communication,  there are also  now even more ways to be misunderstood than ever. If a message contains just the written word (such as a text or email), the sender needs to be confident in its clarity, that it cannot be misinterpreted. Emails can often come off cold or clipped without that being the intention of the sender, for example, yet its not considered professional to have emoticons in formal communication to help convey  the proper meaning and context.  Ã‚   Before You Open Your Mouth or Hit Send Before preparing your message, whether its going to be in person one-on-one, in front of an audience, over the phone, or done in writing, consider the audience wholl be receiving your information, the context, and your means to convey it. What way will be the most effective? What will you have to do to ensure its conveyed properly? What do you want to make sure that you dont convey? If its important and going to be relayed in a professional context, maybe youll practice beforehand, prepare slides and graphics, and pick out professional attire so that your appearance or mannerisms dont distract from your  message. If its a written message youre preparing, youll likely want to proofread, make sure the recipients name is spelled correctly and read it aloud to find dropped words or clunky phrasing before sending it.

College Athletes Should Not Be Paid - 1601 Words

For decades college athletics have been a huge money making business and for decades the players at these universities have been the ones making the majority of it. The issue with this topic is that college athletes receive nothing more than a scholarship which is sometimes not enough. Many college athletes have spoken out about this issue and the NCAA has fired back in response. The NCAA argues that these athletes are not professionals and do not deserve payment. If college athletes were to receive payment they would no longer be amateur athletes. Some fans think it would ruin the integrity of college athletics because college athletes are supposed to be working towards making it to the professional level, if they were to receive payment for play it may tarnish some athletes work ethic. What is at stake in this piece is that college athletics make billions of dollars a year and the main attraction to the events that make the money are the athletes that play in the game and those ath letes do not receive any of the money made. The NCAA does not want to pay the athletes because you cannot just pay the top athletes you must pay all athletes. If the NCAA were to do this they would lose a lot of money from what they bring in now. One view point in this issue is the view point of the higher up people at universities and the NCAA. College athletics are fully commercialized and is also a huge money making business. The benefactors of this largely successful corporation are theShow MoreRelatedShould College Athletes Be Paid?1578 Words   |  7 PagesAshay Mehta Nou Per 8 Should College Athletes Be Paid? One of the hottest debates in the sports industry is if college athletes should be paid. If you want to pay these athletes, how would the college determine the dollar amount that should be paid? Should the basketball team make more than the football team? Should the the soccer team be paid as well? Cheerleading? Chess team? Should everyone on the team get a salary? What if your college is good at football and your basketball team is awfulRead MoreShould College Athletes Be Paid?1398 Words   |  6 Pagesbelieve that college athletes at the highest performing schools are better treated than others. Although they do not get paid, they do receive some benefits for being athletes that other students would not get. One advantage for playing a sport is access to scholarships that some schools reserve for their athletes. Depending on the school and the athlete’s performance, money towards tuition is often given. Only some schools are willing to grant â€Å"full-ride† scholar ships for certain athletes. AccordingRead MoreShould College Athletes Be Paid?1289 Words   |  6 PagesThroughout the years college sports have been about the love of the game, filled with adrenaline moments. However, the following question still remains: Should college athletes get paid to play sports in college? Seemingly, this debate has been endless, yet the questions have gone unanswered. The National Collegiate Athletics Association (NCAA) plays a vital role in this debate. The NCAA is a billion dollar industry, but yet sees that the athlete should get paid for their hard work and dedicationRead MoreShould College Athletes Be Paid?1334 Words   |  6 Pagesrising to the surface is â€Å"Should college athletes be paid?†. This has become a burning question. The NCAA is a multibillion-dollar industry, that makes millions, if not billions, in revenue. Yet it’s still maintains the non-profit status meaning that the industry is not set on making a profit and none of the revenue that is made is distributed to its members, managers, or officers. While most players who play in college sports are under a scholarship, that pays for the college tuition, books, and housingRead MoreShould College Athletes Be Paid?1364 Words   |  6 PagesHave you paid attention to all of the news that has been surfacing about collegiate sports lately? It is a big topic now days in the world of sports on weather college athletes should be getting paid to play sports. College athletics have gained great popularity of the past few decades, and have brought schools lots of revenue. A lot of college athletes think they should be getting paid for their services they do for their school. College sports like basketball and football generate over six billionRead MoreShould College Athletes Be Paid?1130 Words   |  5 PagesWhat college athlete would not want to be paid to play the sport that he or she loves? The real question is, though, should college athletes be paid fo r their roles in a college’s athletics? They are many points to each side of this recent controversial topic, which is why this has been made into such a hot debate in the past couple of years. As of right now, these athletes are not getting paid, but many of them truly believe that they should. Others believe that they already are being paid throughRead MoreShould College Athletes Be Paid?986 Words   |  4 PagesPaying the College Athlete The college athlete has steadily grown in popularity in the United States over the span of the past decades. Monetarily speaking, this increased publicity has been extremely beneficial for National Athletic Association (NCAA) and all the colleges involved in athletics which has sparked the dispute of whether or not the athlete should be paid for their hard work and dedication on the field and to their school or if the athletic scholarship is more than enough. College athletesRead MoreShould College Athletes Be Paid?1239 Words   |  5 PagesLindsey Simmerman Speech 102 T/Th 1:00-2:15 October 25, 2016 Should college athletes be paid to play? Specific Purpose: To persuade the class to agree with my stance on paying college athletes to play sports Thesis: College football is the hours players spend practicing and performing, the number of injuries the players face, and the persona these athletes must portray every day all the while watching their schools, coaches, and the National Collegiate Athletic Association (NCAA) get all the compensationRead MoreCollege Athletes Should Be Paid1254 Words   |  6 PagesSome college athletic departments are as wealthy as professional sports teams. The NCAA has an average annual revenue of $10.6 billion dollars. College athletes should be paid because of the amount of revenue that they bring to their college. Each individual college should pay its athletes based on how much revenue they bring to the college in which they attend. The colleges that win their Division title, their Conference title, or the National championship, give bonuses to the Head coach of thatRead MoreCollege Athletes Should Not Be Paid1558 Words   |  7 Pagesstudent-athletes participate in a variety of different s ports, and currently they do not receive paychecks for their performances. College athletics have attained an extensive popularity increase among Americans over the past few decades. This has resulted into increased revenues for the National Collegiate Athletic Association [NCAA] and the participating colleges, which has fuelled the debate of whether or not college athletes should collect an income. College athletes should not be paid to play

Murmuring Judges Essay Example For Students

Murmuring Judges Essay Is Arthur Miller really Americas finest living playwright, as the British like to tag him, or has he been conveniently drafted to serve that necessary function in the ecology of the English theatre? This country, after all, likes nothing better than lionizing American intellectuals and artists who have been either ignored or undervalued at home. Only two years ago, Stephen Sondheim found himself telling an Oxford University audience that he was glad to have worked on Broadway lest the English, in their adoration, hold him hostage forever at the National. We will write a custom essay on Murmuring Judges specifically for you for only $16.38 $13.9/page Order now Miller, by contrast, unequivocally embraces the worshipful British. Its a good thing too, since hes new play, The Ride Down Mt. Morgan, now receiving its world premiere production at Wyndhams Theatre, is going to need all the good will that the British   or anyone else   can bring to it.Miller has been working on this play for most of the past decade and claimed to have found the ideal collaborator for it last season when director Michael Blakemore staged the belated London premiere of After the Fall at the National. Add in a producer, Robert Fox, and a star, Tom Conti, who are among the West Ends savvier participants, and the ingredients couldnt seem surer for success. The one thing no one apparently paused to assess was the fundamental illogic and wrongheadedness of the play itself.Mt. Morgan takes place in an upstate New York hospital, and the curtain rises on a bedridden Conti, his torso and arm in a plaster cast, looking as waylaid as he did on Broadway in his star-making performance in Whose Life Is It, Anyway? But this play, unlike its predecessor, doesnt keep Conti in bed for long. As Lyman Felt, the actor is soon rising to enact flashbacks and fantasy sequences that shift the time and place of the action and bring on such characters as Lymans lawyer friend-and-confidant and his shroud-bearing pickle-salesman father.Badly injured after a car accident on a mountain, Lyman learns to his distress that his hospitalization has brought together for the first time in nine years of bigamy his two wives: the older Theo (Gemma Jones) and the 30-ish Leah (Clare Higgins). What ensues begins as a comedy of morality and quickly collapses into an agonized sermon. Im miserable, lost, condemned, Lyman wails into the void, finally left with no one but the nurse (Marsha Hunt) for comfort. He cleverly leaves out the self-assessment which most audiences will all too happily make for him   Lyman Felt is an unabashed shit.I have to consent to Lyman and to condemn him, Miller road interviewer Melvyn Bragg in a TV special aired shortly after the Oct. 31 opening. But the condemnation barely exists. To be sure, each of the wives gets a you are monstrous diatribe, but they are hard to take seriously coming from such outright types. Theo is the repressed ministers daughter, the high-minded gentile acted by Jones on a sustained note of shrillness; Leah, the libidnous Jew, is appealing in Higginss capable hands though no less a cliche. Its interesting to note that the casting fudges a potential source of odium: If, as the script indicates, there really is a two-decade age difference between Lyman and Leah, then the latter would be about the same age as his daughter by Theo, a parallel which makes his midlife lust seem particularly suspect. But Miller is far too interested in exonerating Lyman ever to put him on the rack. Director Blakemore has repeatedly shown a sympathetic deftness with new scripts that eludes him here. Perhaps the problem is just that Mt. Morgan has its sympathies wrong from the start. You dont have to love a plays central character for a play to work, but if youre going to make him so unpleasant, its best not to try and play the apologist, as well. .u3819bfea0930616369327faef0d85155 , .u3819bfea0930616369327faef0d85155 .postImageUrl , .u3819bfea0930616369327faef0d85155 .centered-text-area { min-height: 80px; position: relative; } .u3819bfea0930616369327faef0d85155 , .u3819bfea0930616369327faef0d85155:hover , .u3819bfea0930616369327faef0d85155:visited , .u3819bfea0930616369327faef0d85155:active { border:0!important; } .u3819bfea0930616369327faef0d85155 .clearfix:after { content: ""; display: table; clear: both; } .u3819bfea0930616369327faef0d85155 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3819bfea0930616369327faef0d85155:active , .u3819bfea0930616369327faef0d85155:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3819bfea0930616369327faef0d85155 .centered-text-area { width: 100%; position: relative ; } .u3819bfea0930616369327faef0d85155 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3819bfea0930616369327faef0d85155 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3819bfea0930616369327faef0d85155 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3819bfea0930616369327faef0d85155:hover .ctaButton { background-color: #34495E!important; } .u3819bfea0930616369327faef0d85155 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3819bfea0930616369327faef0d85155 .u3819bfea0930616369327faef0d85155-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3819bfea0930616369327faef0d85155:after { content: ""; display: block; clear: both; } READ: NEA announces new slate of grants EssayNo one could ever accuse David Hare of apologizing for his characters. This is one playwright who loves figures of Good and Evil writ large, and it was the great achievement of The Secret Rapture in London to be that rare play to make Good the more dramatically provocative abstraction. Hares 1990 Racing Demon accomplished even more, using four South London clergymen as a prism through which to filter the most stirring state-of-the-nation piece Britain has seen in an age. Hares new play at the National, Murmuring Judges, continues the inquiry Racing Demon began its the second in a planned trilogy about British institutions but this t ime the debate restricts rather than opens out. Billed as a work about the clergy, Racing Demon was much more than that; Murmuring Judges, though, really is just what the blurb on it says; a play about the law, no more, no less.Hare has certainly done his homework, and the work of his researchers (two receive credit in the program) is amply evident. Characters are forever spouting statistics theyd be unlikely to possess in real life, and declaiming position papers rather than holding conversations. By the end, one wonders whether the National bookstore should bother to stock the text or, instead, opt for a point-by-point agenda entitled Murmuring Judges: The Pamphlet. American theatregoers weary of the absence of politics in homegrown plays will have a field day here. In Hares legal world, all anyone does is opine; gone are the private lives that gave Racing Demon its troubling and heartbreaking pulse.The plot centers on Irina Platt (Alphonsia Emmanuel), a black barister Antiguan by birth defending a young Irishman wrongly imprisoned on a trumped-up bank-raid charge. Irinas soulmate is a white policewoman (Lesley Sharp) who similarly learns that the system stinks. The play moves from Londons inns of court to the Royal Opera House, from a police station to a prison cell, and director Richard Eyre and designer Bob Crowley triumphantly orchestrate its cinematic sweep. The first act brings the disparate locales thunderingly together to the musical accompaniment of The Magic Flute a staging coup of which both men should be proud.The actors tend to be better the smaller (and therefore less sententious) their roles, and its disconcerting to hear one character poke fun at Sally Field-style heroics when those describe precisely the actions of the two main women. Hare being Hare, Murmuring Judges has its share of bite: Theres a great what England does well Hare-angue, yoking a national facility for cream teas to a penchant for sending people to jail. But its the production, not the play, that warrants attention, as Eyre and Crowley steam confidently ahead long after the writing has run out of wind.

T.S. Eliot -Mood And Theme Essays - Chapbooks,

T.S. Eliot -Mood And Theme WITH REFERENCE TO THE LOVE SONG OF J. ALFRED PRUFROCK AND PREDULES. DISCUSS HOW T.S. ELIOT CONVEYS MOOD AND THEMES. Both Prufrock and Preludes are based in the same rootless world of sordid tedium. In Prufrock Eliot is conveying a theme a strong theme and is based heavily in the Persona of Prufrock himself. Preludes is a poem of changing moods, some subtle, some profound but this time conveyed primarily through diction and repetition. One theme of Eliot's, The Love Song of J. Alfred Prufrock, is the exposure of the modern individual's inability and refusal to address inadequacies that he sees in both him and his society. Two ways Eliot conveys his theme is through the persona of Prufrock and repetition . One method used by Eliot to expose this theme is his use of the persona of J Alfred Prufrock. Prufrock is in part a shallow conformist, 41 ....My morning coat, my collar mounting firmly to the chin, 42 My necktie rich and modest, but asserted by a simple pin- 43 (They will say: ?But how his arms and legs are thin!')...... However, almost tragically, Eliot has Prufrock aware of the shallowness of the society to which he conforms. 26 There will be time, there will be time 27 To prepare a face to meet the faces that you meet. Prufrock observes his society's ability to totally disregard any question of substance, that is, the ?overwhelming? questions. Yet despite his observations Prufrock is not prepared to confront his society, more importantly, himself. In deeper tragedy Prufrock is defeated by his knowledge of his inadequacies and states quite sincerely, ?And in short, I was afraid? Two of the minor themes of ?The Love Song of J. Alfred Prufrock' concern the frustrations felt by the individual towards their society. Specifically the individuals insignificance in their society and the individuals inability to express themselves and be understood as an individual within that society. Repetition plays a crucial role in conveying the theme of insignificance. The repetition of, ?They will say:..?, conveys Prufrock's feeling of insignificance and reveal a man totally absorbed in the judgments of others and not at all concerned with his worth as an individual. Eliot's repetition of ?Do I dare within the sixth stanza emphasises Prufrock's feeling of insignificance. ?Do I dare/ Disturb the universe Despite the superficial judgments his society passes on him, Prufrock is still hesitant in speaking out against their empty lives. Prufrock is an extraordinary character and one who, despite his struggles, could easily erode into a world content with the futile pleasures of the society he scorns. Preludes is a series of four lyrics describing a modern city. The poem moves through four different time periods, beginning with one evening and continuing though to the following evening. Through these lyrics Eliot conveys the impression of a life that is soul destroying and meaningless. Preludes is used to explore the theme of the alienation of the individual from society. The mood is integral to understanding Eliot's vision. It is the moods of desolation and despair, loneliness and struggle, affection and gentle care that reflects Eliot's observations of the individual alienated from society. These moods are conveyed throughout the careful use of diction, imagery and repetition. Prelude I begins with an attractive, familiar setting, a winter evening. This however is short lived as we are immediately confronted with a decaying, suffocating world, 2 With smells of steaks in passageways... 4 The burnt-out ends of smoky days. Eliot creates a mood of desolation and loneliness through diction and imagery. The precise use of descriptive words compose this very mood. Words such as, ?burnt out?, ?gusty?, ?grimy?, ?vacant?, ?broken?, and ?lonely?, help set the mood for the remainder of the poem. In Prelude II the poem shifts to morning, but instead of the freshness and optimism normally associated with such a time, the morning is depicted, like a drunk awakening on the footpath, as coming ?to consciousness?, vague and unsure of itself. Eliot creates a mood of desolation through sense-imagery: 14 The morning comes to consciousness 15 Of faint stale smells of beer 16 From the sawdust-trampled street... Eliot's repetition of ?all' and use ?a thousand' in his description of the masses as an anonymous herd the impersonal mood of emptiness. While through imagery Eliot